MISBEHAVIOUR

London, 23rd October 2017 Pathé and Calamity Films have set a February 2018 start date for principal photography on JUDY, based on the true story of Judy Garland’s final concerts in London. Renee Zellweger, Academy Award winner and three times Academy Award nominee (Bridget Jones’s Diary, Cold Mountain and Chicago), will play Judy Garland; and celebrated British stage director, Rupert Goold (a Tony nominee and two times Olivier winner) will direct. Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform in a sell-out run at The Talk of the Town. It is 30 years since she shot to global stardom in THE WIZARD OF OZ, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans, her soon-to-be fifth husband. And yet Judy is fragile. After working for 45 of her 47 years, she is exhausted; haunted by memories of a childhood lost to Hollywood; gripped by a desire to be back home with her kids. Will she have the strength to go on? Featuring some of her best-known songs, the film celebrates the voice, the capacity for love and the sheer pizzazz of “the world’s greatest entertainer”. The film is based on a script written by Tom Edge (THE CROWN) and will be produced by BAFTA winner David Livingstone (PRIDE) for Calamity Films. Pathé will distribute the film in the UK, France and Switzerland and will handle sales throughout the rest of the world. For further information contact: Sophie Glover, Head of Publicity, Pathé UK Sophie.glover@pathe-uk.com / 020 7462 4415 ABOUT PATHÉ Pathé operates as a fully integrated film studio in France, the UK, the Netherlands and Switzerland. It is involved in all aspects of filmmaking, from development and production through to international sales, distribution and exhibition. Films produced/distributed by Pathé range from The Queen to Slumdog Millionaire and from Philomena to Selma. In recent years Pathé’s productions have won 16 BAFTAs (66 nominations) and 13 Oscars (46 nominations). Pathé International handles the international marketing and sales of Pathé’s own productions and also acquires third party films for worldwide representation. As one of Europe’s leading sales agents, Pathé International has a significant presence at all major film markets and festivals. www.pathe.co.uk Twitter @patheuk

WORLD EXCLUSIVE TRAILER & POSTER RELEASED FOR PEDRO ALMODÓVAR’S THE HUMAN VOICE STARRING TILDA SWINTON ★ ★ ★ ★ The Financial Times, The Daily Telegraph, The Times IN CINEMAS 2021 WITH EXCLUSIVE Q&A WITH TILDA SWINTON & PEDRO ALMODÓVAR HOSTED BY MARK KERMODE Pathé are delighted to announce that the new short film, THE HUMAN VOICE, directed by Spanish auteur Pedro Almodóvar and starring Tilda Swinton, will be released in 2021. The film will be followed by a pre-recorded Q&A with Almodóvar and Swinton hosted by film critic Mark Kermode. THE HUMAN VOICE was shot over nine days in Madrid in July and recently premiered to critical acclaim at the Venice Film Festival. It is Almodóvar’s first work in the English language. Madness and melancholy intersect to thrilling effect as Almodóvar reimagines Jean Cocteau’s short play The Human Voice for an era in which isolation has become a way of life. Laws of desire become the rules of the game as Tilda Swinton’s unnamed woman paces and panics in a glorious Technicolor apartment where décor offers a window into her state of mind. A short, sharp shot of distilled Almodóvar: passion, emotion, heartbreak, wit, and melodrama exquisitely bound up in a tale for our times. Writer/Director Pedro Almodóvar is one of Spain’s most celebrated filmmakers with numerous accolades to his name including an Academy Award®, four BAFTAs, numerous Goyas and over 100 further wins and nominations. His credits include WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, ALL ABOUT MY MOTHER, VOLVER and most recently PAIN AND GLORY. For further information please contact organic. Julia Nowicka / Julia.Nowicka@organic-publicity.co.uk / +44 (0) 787 080 8147 Abi Fiedler / abi.fiedler@organic-publicity.co.uk / +44 (0) 781 663 1916

Trailer and Poster released for MISBEHAVIOUR. YOUTUBE TRAILER LINK https://www.youtube.com/watch?v=ZUa0Mtdv1HQ&feature=emb_logo TRAILER DOWNLOAD LINK https://wetransfer.com/downloads/9761f767d581158f624eb5c77a66bdc320191218121615/12d707 RELEASED ON 13 MARCH 2020 IN THE UK DIRECTED BY Philippa Lowthorpe STARRING Keira Knightley ● Gugu Mbatha-Raw ● Jessie Buckley Greg Kinnear ● Lesley Manville ● Keeley Hawes ● Rhys Ifans ● Phyllis Logan The film is directed by BAFTA winner Philippa Lowthorpe (Three Girls) and stars Keira Knightley, Gugu Mbatha-Raw, Jessie Buckley, Greg Kinnear, Lesley Manville, Keeley Hawes, Rhys Ifans and Phyllis Logan. A politically relevant, inspirational true story, the film skilfully combines humour with drama to celebrate all women, however they choose to navigate a male-dominated world: In 1970, the Miss World competition took place in London, hosted by US comedy legend, Bob Hope. At the time, Miss World was the most-watched TV show on the planet with over 100 million viewers. Claiming that beauty competitions demeaned women, the newly formed Women’s Liberation Movement achieved overnight fame by invading the stage and disrupting the live broadcast of the competition. Not only that, when the show resumed, the result caused uproar: the winner was not the Swedish favourite but Miss Grenada, the first black woman to be crowned Miss World. In a matter of hours, a global audience had witnessed the patriarchy driven from the stage and the Western ideal of beauty turned on its head. The film was written by Rebecca Frayn and Gaby Chiappe, and produced by Suzanne Mackie and Sarah Jane Wheale. MISBEHAVIOUR is a Pathé, Ingenious Media, BBC Films, BFI presentation of a Left Bank Pictures production. UK cinema release date: 13 March 2020 Running time: 1 hour 46 minutes Certificate: 12A For images please go to: https://panther4.dmsukltd.com/ For press information, please contact: Nicki Foster / Oliver Lavery / Simon Bell / Harriet Gilholm Tel: + 44 20 7292 8330 / Email: Firstname.surname@premiercomms.com

Pathé are delighted to launch the UK trailer and new images from Pedro Almodóvar’s next feature film PARALLEL MOTHERS, starring his long-time collaborators Penélope Cruz, Rossy de Palma and Julieta Serrano as well as Milena Smit, Aitana Sánchez-Gijón and Israel Elejalde. Parallel Mothers will be released on 28 January 2022 in cinemas across the UK. PARALLEL MOTHERS is Almodóvar’s 22nd feature film and tomorrow will screen as the Closing Night selection of the 59th New York Film Festival. The film had its World Premiere as the opening night film at this year’s Venice International Film Festival. The film received an enthusiastic response from the critics, and Penélope Cruz won the Best Actress Award for her performance. Two women, Janis and Ana, meet in a hospital where they are about to give birth. Both are single and became pregnant by accident. Janis, middle-aged, has no regrets and is exultant. The other, Ana, an adolescent, is scared and repentant. Janis tries to encourage her as they move like sleepwalkers through the hospital corridors. The few words they exchange in these hours will create a very close link between them, which by chance will develop and complicate, changing their lives in a decisive way. Writer/Director Pedro Almodóvar is one of Spain’s most celebrated filmmakers with numerous accolades to his name including an Academy Award®, four BAFTAs, numerous Goyas and over 100 further wins and nominations. His credits include WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, ALL ABOUT MY MOTHER, VOLVER, PAIN AND GLORY and most recently THE HUMAN VOICE. For further information please contact organic. Abi Fiedler / abi.fiedler@organic-publicity.co.uk / +44 (0) 781 663 1916 Katy Sharp-Watson / katy.sharp-watson@organic-publicity.co.uk / +44 (0) 789 133 6136

THE GUARDIAN'S PETER BRADSHAW GIVES THE LITTLE STRANGER 4 STARS The haunts of childhood are revisited in this oppressively macabre ghost story, set in the miserable austerity of late-40s Britain and in some ways a metaphor for the nation’s complex sense of sacrificial loss. Screenwriter Lucinda Coxon has adapted the 2009 novel by Sarah Waters and Lenny Abrahamson directs, bringing to it the sense of enclosing dread and claustrophobic dysfunction familiar from his previous picture, the abduction-abuse nightmare Room. The Little Stranger is fluently made and really well acted, particularly by Ruth Wilson, though maybe a bit too constrained by period-movie prestige to be properly scary. Domhnall Gleeson plays Faraday, a young Warwickshire country doctor: first name unmentioned, second name perhaps an allusion to the famous scientist, given his belief in electric-current massage for pain-relief and his non-belief in ghosts. He has a ramrod-straight bearing, a clipped moustache and equally clipped manner of speaking, very different from the relaxed, worldly manner of his fellow medics. Gleeson’s performance suggests he’s affecting a severe professionalism to cover up his lowly origins. It’s the summer of 1948 and Faraday finds himself back in the village where he grew up, and one of his very first house-calls is to the grand mansion that fascinated him as a boy, Hundreds Hall. A maidservant there, Betty (Liv Hill) has stomach pains, but Faraday’s no-nonsense examination reveals them to be exaggerated or invented. A female-hysteric case of nerves, as often airily diagnosed by the male profession of the day – or something darker, weirder? At the same time, Faraday makes the acquaintance of the family. The notional master of the house is Rod Ayres (Will Poulter), a former RAF pilot badly burned in combat, who now has depression, and is grumpily obsessed with the way the house is deteriorating and the Labour government’s punitive death duties. His mother, Mrs Ayres, is in situ: enigmatic, reserved, disquieting and played by Charlotte Rampling. But the real boss is Rod’s hardworking sister, Caroline, outstandingly played by Wilson. She is friendly and unselfconsciously careless of her appearance in ways that will seem eccentric as she grows older, an English countrywoman of the sort imagined by Nancy Mitford. But all three seem to be going slowly mad in their own ways, driven to the brink by something in the house itself. Faraday’s own secret is that his late mother was a maid at Hundreds Hall and he has come to think of this strange, dilapidated place and its strange, dilapidated family as exemplars of prewar innocence: a bizarre version of Evelyn Waugh’s Brideshead. And as his friendship with Caroline blossoms into a nervous, protective romance, there is the thrill of a romantic or sexual conquest over his own humble beginnings. But there is something else. Faraday is obsessed with the memory of attending a party there as a child, breaking an ornate picture frame and being caught in the act by Rod and Caroline’s adored sister Suki – who later died of diphtheria at eight years old. Has Faraday’s remembered transgression and present-day quasi-haunting accelerated a supernatural crisis? Abrahamson shows how the awful tensions and rigidities of the English class system create the right atmosphere of denial – they incubate the horror. A stratum of society that holds on to the past is ripe for haunting. There is an excruciating scene in which Faraday is invited to an evening drinks party there (black tie, naturally) and the other attendees have to be periodically reminded that he is there as a guest, an equal, and no one is ill. But then there is a grisly incident, a moment of nightmarish horror in which Faraday’s qualifications turn out to be vital. It is at an event like this that poor Rod, unable or unwilling to leave his chaotic room, reveals himself to be paralysed with fear at what the house contains. Wilson’s Caroline is the beating heart of the film and she is superb, not least in a scene at a local dance, where she is thrilled to recognise a female friend from wartime and dances extravagantly with her – to Faraday’s chagrin – hinting at a sexual identity she has concealed from everyone, especially herself. And all the time, the sinister presence in the house grows, like mould on the walls. An elegant, sinister tale of the uncanny, with its own streak of pathos.

London, 22 September 2020 Following its critically acclaimed World Premiere at the Venice Film Festival, Pathé is delighted to announce that Sony Pictures Classics has acquired THE DUKE for distribution in multiple territories including the US, Latin America and Scandinavia. All other world territories had been sold by Pathe International prior to the Venice Film Festival. Directed by Roger Michell from a script by Richard Bean and Clive Coleman, the comedy drama stars Oscar-winners Jim Broadbent and Helen Mirren and tells the delightful and moving true story of a man determined to live a meaningful life: In 1961, Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge – a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage. Pathé will release the film in the UK, France and Switzerland. Other sales already announced include: Australia (Transmission), Benelux (Paradiso), Canada/Germany/Spain (eOne), China (Huanxi), Czech Republic (AQS), Former Yugoslavia (MCF), Israel (Forum), Italy (BIM), Japan (Phantom), Middle East (Front Row) and Poland (Monolith). THE DUKE is a Pathé, Ingenious Media and Screen Yorkshire presentation of a Neon Films Production. Nicky Bentham is the Producer and the Executive Producers are Cameron McCracken and Jenny Borgars for Pathé, Andrea Scarso for Ingenious Media, Hugo Heppell for Screen Yorkshire, Peter Scarf and Christopher Bunton. For further information please contact: Sophie Glover - Pathé UK / Sophie.glover@pathe-uk.com www.pathe.co.uk Nicki Foster – Premier / Nicki.foster@premiercomms.com ABOUT PATHÉ Pathé operates as a film studio in France, the UK, the Netherlands and Switzerland. It is involved in all aspects of filmmaking, from development and production through to international sales, distribution and exhibition. Films produced/distributed by Pathé range from The Queen to Slumdog Millionaire and from Philomena to Selma. In recent years Pathé’s productions have won 17 BAFTAs (70 nominations) and 14 Oscars (50 nominations), most recently the Best Actress Oscar and BAFTA for Renee Zellweger in Judy. Pathé International handles the international marketing and sales of Pathé’s own productions and also acquires third party films for worldwide representation. As one of Europe’s leading sales agents, Pathé International has a significant presence at all major film markets and festivals. www.pathe.co.uk @patheuk

26 June 2018 Lenny Abrahamson’s THE LITTLE STRANGER, based on Sarah Waters’ best-selling novel, will be released in UK cinemas nationwide on 21st September 2018. Having watched the film, Sarah Waters commented: “The moment THE LITTLE STRANGER finished, I wanted to watch it again. The product of a perfect combination of things - genius direction, a great script, masterly acting, lush cinematography - it's a complex, poignant, terrifically unsettling film. I couldn't wish for a better adaptation of the novel.” The film stars Domhnall Gleeson (Brooklyn) as Dr Faraday; Golden Globe winner Ruth Wilson (The Affair) as Caroline Ayres; BAFTA winner Will Poulter (The Revenant) as Roderick Ayres; and Oscar nominee Charlotte Rampling (45 Years) as Mrs Ayres. THE LITTLE STRANGER is a darkly mysterious drama adapted for the big screen by BAFTA nominee Lucinda Coxon (The Danish Girl). THE LITTLE STRANGER tells the story of Dr Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants - mother, son and daughter - are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own. The film is directed by Lenny Abrahamson (Oscar nominated for Room); produced by Gail Egan (The Constant Gardener), Andrea Calderwood (The Last King of Scotland) and Ed Guiney (Room); and executive produced by Cameron McCracken for Pathé, Daniel Battsek for Film4, Andrew Lowe for Element Pictures, Celine Haddad for the Irish Film Board and Tim O’Shea for Ingenious. Director of Photography is Ole Birkeland (The Crown), with Costumes by Steven Noble (BAFTA nominee for The Theory of Everything) and Hair and Make-Up by Sian Grigg (Oscar nominee for The Revenant). Simon Elliott (The Iron Lady and BAFTA TV winner for Bleak House) is Production Designer; Nathan Nugent (Room) Editor; and the Music is by Stephen Rennicks (Room). THE LITTLE STRANGER is a Pathé, Film4, Irish Film Board and Ingenious presentation of a Potboiler Production in association with Element Films. The film was developed by Film4 with Potboiler and Element Films. Pathé will distribute the film in the UK, France and Switzerland; and Focus Features acquired the film from Pathe International for distribution throughout the rest of the world. Running time: 1hour 52 minutes Certificate: 12A TBC THE LITTLE STRANGER tie-in edition will be published by Virago on the 23rd August, price £8.99 For press enquiries: Premier Eugene O’Connor / Ellen Steers firstname.surname@premiercomms.com / +44 (0)20 7292 8330 For online press enquiries: FEREF Sophia Dryden SophiaDryden@feref.com

London, 03 August 2020 British comedy-drama THE DUKE has been selected for the 2020 Telluride Film Festival. As with Cannes, Telluride is not going ahead physically this year, but the organisers wished to make public their selection of the year’s best films to help promote them to as broad an audience as possible. THE DUKE will have its World Premiere at the Venice Film Festival. The film stars Academy Award winners Jim Broadbent and Helen Mirren and was directed by Roger Michell from a script by Richard Bean and Clive Coleman. Roger Michell stated: “I am delighted that THE DUKE has been so honoured by both the Telluride and Venice film Festivals and just regret that circumstances oblige these great celebrations of film to curtail their mission: to fill cinemas with people and their shared emotion. One day soon audiences will surely return and I look forward to sharing our film with them, a film that speaks to the experience we have all been through - and perhaps one of the lessons we have all learnt - that the true measure of a civilised society is how it cares for its most vulnerable.” Jim Broadbent said: “I am thrilled that THE DUKE has been selected. A film about generosity and kindness to others, even if it is demonstrated somewhat unconventionally, would seem to be very appropriate for the times. That these Festivals have chosen to honour the film is a very exciting opportunity to present it to a wide audience.” Helen Mirren said: “I had a wonderful time making THE DUKE, thanks to all my co-actors and our director. We are all very happy and honoured that our work is recognised by two of the most prestigious film festivals in the world. We are very much looking forward to sharing it with an audience.” THE DUKE is a moving true story that celebrates a man who was determined to live a meaningful life: In 1961, Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly - he had long campaigned for pensioners to receive free television. What happened next became the stuff of legend. Only 50 years later did the full story emerge - Kempton had spun a web of lies. The only truth was that he was a good man, determined to change the world and save his marriage - how and why he used the Duke to achieve that is a wonderfully uplifting tale. As the world grapples with the Covid-19 pandemic, THE DUKE is a timely exploration of the need to recognise that we are all connected, that the health of each depends on the health of all. THE DUKE is a Pathé, Ingenious Media and Screen Yorkshire presentation of a Neon Films Production. Nicky Bentham is the Producer and the Executive Producers are Cameron McCracken and Jenny Borgars for Pathé, Andrea Scarso for Ingenious Media, Hugo Heppell for Screen Yorkshire, Peter Scarf and Christopher Bunton. Pathé will release the film in the UK in Spring 2021 and will also distribute the film in France and Switzerland as well as manage sales for the rest of the world. For further information contact: Premier: Ellen Steers ellen.steers@premiercomms.com Emma Eliades emma.eliades@premiercomms.com Pathe UK Sophie Glover sophie.glover@pathe-uk.com ABOUT PATHÉ Pathé operates as a film studio in France, the UK, the Netherlands and Switzerland. It is involved in all aspects of filmmaking, from development and production through to international sales, distribution and exhibition. Films produced/distributed by Pathé range from The Queen to Slumdog Millionaire and from Philomena to Selma. In recent years Pathé’s productions have won 17 BAFTAs (70 nominations) and 14 Oscars (50 nominations), most recently the Best Actress Oscar and BAFTA for Renee Zellweger in Judy. Pathé International handles the international marketing and sales of Pathé’s own productions and also acquires third party films for worldwide representation. As one of Europe’s leading sales agents, Pathé International has a significant presence at all major film markets and festivals. www.pathe.co.uk @patheuk ABOUT INGENIOUS MEDIA For 22 years, Ingenious Media has been at the forefront of investing in the global creative economy and in that time has raised and deployed over $10 billion. Ingenious Media has been involved in the production of a diverse slate of films, including the award-winning Judy, Life of Pi, Avatar, Oscar-nominated Carol, Brooklyn and Selma, five films in the successful X-Men franchise, Rise of the Planet of the Apes and Dawn of the Planet of the Apes, breakout British hits Suffragette and The Best Exotic Marigold Hotel, as well as acclaimed television programmes such as The Fall, Dr. Foster and The Honourable Woman. ABOUT SCREEN YORKSHIRE Screen Yorkshire champions the film, TV, games and digital industries in Yorkshire and the Humber, UK. Its aim is to secure and support the very best projects, companies and individuals, helping to make the region one of the most sought-after destinations for production in the UK. Screen Yorkshire delivers the Film Office services for Yorkshire & Humber and has been leading the development of the Yorkshire Screen Hub, supported by the BFI’s National Cluster Growth Fund using National Lottery funding to support the development and growth of the Yorkshire screen sector. Screen Yorkshire offers production financing through its Yorkshire Content Fund. Credits include: The Duke, Ali & Ava, All Creatures Great and Small, Official Secrets, Hope Gap, Ackley Bridge, Dark River, Yardie, Ghost Stories, Stardog & Turbocat, Journeyman, Dad’s Army, Swallows and Amazons, Testament of Youth, ’71, National Treasure, The Great Train Robbery, Peaky Blinders, Jonathan Strange and Mr Norrell and Hank Zipzer. Screen Yorkshire also works with ScreenSkills, NFTS and the BFI to develop regional and UK wide talent by devising and delivering industry schemes www.screenyorkshire.co.uk @screenyorkshire

PATHÉ ANNOUNCES ‘THE GREAT ESCAPER’ STARRING MICHAEL CAINE & GLENDA JACKSON London, 19th February 2021 Pathé today announced that they will be presenting a new feature film, THE GREAT ESCAPER, at this year’s Berlin Film Market. Inspired by true events, the film will tell the story of Bernard Jordan’s escape from his care home to attend the 70th Anniversary of the D-Day Landings in France. The film is set to star two time Oscar winner and six time nominee, Sir Michael Caine (The Quiet American, The Cider House Rules, Hannah and Her Sisters, Educating Rita, Sleuth and Alfie) and two time Oscar winner and four time nominee, Glenda Jackson (Hedda, A Touch of Class, Sunday Bloody Sunday and Women In Love). In the summer of 2014 - the 70th Anniversary of the D-Day Landings - octogenarian Bernard Jordan (Michael Caine) made global headlines. He’d staged a “great escape” from his care home to join fellow war veterans on a beach in Normandy, commemorating their fallen comrades. It was a story that captured the imagination of the world - Bernie seemed to embody the defiant, “can-do” spirit of a generation that was fast disappearing. But of course, it wasn’t the whole story. It was the story we all tell ourselves to make war and old age bearable. The bitter-sweet script explores the reality with wit and a very big heart. Bernie’s adventure, spanning a mere 48 hours, also marked the culmination of his 60-year marriage to Irene (Glenda Jackson) - the story celebrates their love without sentimentality and with an eye to the lessons we might all learn from the Greatest Generation. The film will be directed by BAFTA nominee Oliver Parker (An Ideal Husband) from a script by BAFTA nominee William Ivory (Made in Dagenham) and is scheduled to start principal photography in June this year. Parker commented: ‘No one can resist a script that makes people both laugh and cry – I loved Billy’s writing and the story itself, so inspirational and so moving, seemed to speak to our times and our need for heroes on a human scale, whether people like Bernard Jordan or our doctors and nurses. And now to have Michael and Glenda - two iconic actors - agree to honour this story with their brilliance, it’s the cherry on the cake!’ The film will be produced by BAFTA nominees Robert Bernstein and Douglas Rae (Nowhere Boy) and is an Ecosse Films production for Pathe, BBC Film and Ingenious Media. Executive Producers are Cameron McCracken and Jenny Borgars for Pathé; Rose Garnett for BBC Film; and Andrea Scarso for Ingenious. Pathé will distribute the film in the UK, France and Switzerland and will handle sales throughout the rest of the world. Caine is represented by ICM and Management 42 and Jackson is represented by Lionel Larner. For further information contact: Sophie Glover, Head of Publicity, Pathé UK Sophie.glover@pathe-uk.com / 020 7462 4415 ABOUT PATHÉ Pathé has offices in France, the UK, the Netherlands and Switzerland. It is involved in all aspects of filmmaking, from development and production through to international sales, distribution and exhibition. Films produced and distributed by Pathé range from The Queen to Slumdog Millionaire and from Philomena to Selma. Pathe’s most recent production is Roger Michell’s THE DUKE, starring Jim Broadbent and Helen Mirren, which premiered to critical acclaim at the 2020 Venice Film Festival. In recent years, Pathé’s productions have won 17 BAFTAs (70 nominations) and 14 Oscars (50 nominations). Pathé International handles the international marketing and sales of Pathé’s own productions and also acquires third party films for worldwide representation. As one of Europe’s leading sales agents, Pathé International has a significant presence at all major film markets and festivals. www.pathe.co.uk @patheuk BBC FILM BBC Film supports invigorating and imaginative filmmaking. Firmly established at the forefront of UK film, and fuelled by its public service remit, BBC Film has an ambitious slate including many of the most exciting filmmakers working today. We find, nurture and develop new talent and collaborate with some of the industry's most revered writers and directors. We work with diverse partners to bring our films to the widest possible audiences in the UK and worldwide. ABOUT ECOSSE Ecosse Films is a long-standing award-winning film company whose successes include Mrs Brown featuring an Oscar nominated Judi Dench, Becoming Jane starring Anne Hathaway, the BAFTA nominated Nowhere Boy and Andrea Arnold's mould-breaking Wuthering Heights. http://www.ecossefilms.com/ ABOUT INGENIOUS For 22 years, Ingenious Media has been at the forefront of investing in the global creative economy and in that time has raised and deployed over $10 billion. Ingenious has been involved in the production of a diverse slate of films, including the Academy Award® winning Judy, Life of Pi, Avatar, Selma, Academy Award® nominated Carol, Brooklyn and At Eternity’s Gate, five films in the successful X-Men franchise, Rise of the Planet of the Apes and Dawn of the Planet of the Apes, breakout British hits Military Wives, Blinded by the Light, Suffragette and The Best Exotic Marigold Hotel, as well as acclaimed television programmes such as The Fall, Dr. Foster and Watership Down. Titles currently on release or coming soon include The Secrets We Keep, Honest Thief, War with Grandpa, Breaking News in Yuba County, Pixie, Dream Horse and Voyagers. The 2020 Venice Film Festival included the premieres of Ingenious funded Roger Michell’s The Duke and Mona Fastvold’s The World to Come, which is currently on release in the US through Bleecker St.