Faith began her career at Kudos where she was part of the team that helped establish one of the UK’s most successful indies, with production credits including the BAFTA award winning espionage drama Spooks. From there Faith went on to run BBC Wales Drama, where her slate included the global phenomenon and multi award winning Sherlock, the iconic, much-loved Doctor Who and the seminal, award winning adaptation of War & Peace (BBC) described as “the greatest costume drama of the decade”. As CEO of Lookout Point Faith built a production company known for working with the very best talent to produce highly authored scripted series with scale, ambition and global impact. Her executive producer credits at Lookout Point include A Suitable Boy (BBC/Netflix), Les Misérables (BBC/Masterpiece), two series of RTS-winning and BAFTA nominated Gentleman Jack (BBC/HBO), the hugely successful final series of Happy Valley (BBC/AMC), and Renegade Nell (Disney +). Faith also oversaw an investment in Shane Allen and Kate Daughton’s new indie Boffola Pictures. In March 2023 Faith moved to Pathé where she has taken up the position of Managing Director, with a focus on leading Pathé U.K.’s expansion into premium television drama.

Caroline joined Pathe in 2023 after a 15 year tenure at BBC Studios Productions, serving as Commercial Director of Scripted since 2020. Caroline helped establish critical distribution partnerships with all the leading drama producers in the UK and was instrumental in building a substantial portfolio of scripted production labels, as well as being part of a list of successful investments including Small Axe, The Pursuit of Love, This Is Going To Hurt and Happy Valley.

For more than 25 years Pierre has managed business affairs for the development, production, financing and exploitation of numerous British and international films, including the award-winning Slumdog Millionaire, The Iron Lady, Judy, Selma, Pride and No Man's Land. Prior to Pathe, Pierre worked at British Screen Finance, the European Co-Production Fund, The UK Film Council and Little Bird. He is now adding the world of high-end TV drama to his experience.

James was appointed Finance Director of Pathe in 2006. He is responsible for all financial aspects of the business, including investment appraisal, forecasting and control. Prior to joining Pathe, he held a variety of roles at Channel 4 covering reporting, treasury management and corporate governance. After qualifying with Touche Ross, he spent four years at CIC Video (a Paramount/Universal joint venture) in the international audit team, including two years as director.

Jack has been with Pathe for 30 years, working in the Business Affairs team across development, production, distribution and sales. She currently leads the exploitation of television and SVOD rights in the UK Film Catalogue. Jack holds a 2:1 degree in Economics and Law and achieved a Distinction from London’s College of Law (postgraduate CPE/LPC qualification).

Over the past 12 years, Sam has worked on shows for BBC, ITV, SKY, and BRITBOX. His credits include; 'The Mallorca Files,' 'Poirot,' 'A Child in Time,' 'Devils,' 'And the Long Call.' Most recently, he has editorially produced 'A Cruel Love; The Story of Ruth Ellis.' Alongside in-house development at Big Light and Silverprint Pictures, Sam has been serving as a development executive on the forthcoming adaptation of Nick Cave's 'The Death of Bunny Munro,' a project he championed to Clerkenwell Films, which was subsequently commissioned by SKY.

Having worked as an actress for many years, in 2021 Joanna decided to make the move into TV production. She started working at Lookout Point as Faith Penhale’s assistant, where she worked across productions including Happy Valley (BBC/AMC) and Renegade Nell (Disney+). Joanna then moved with Faith to Pathe in 2023 to take up the role of Development Assistant where she assists with the team’s expansion into television drama.

With 30 years' finance experience in the film industry, John started out in cinema exhibition before moving on to film distribution, film production and development. He’s excited to expand his knowledge into the world of TV. Outside of work he enjoys time with family, and has a passion for horse racing. In his 20 years at Pathe his favourite films are Slumdog Millionaire and Volver.

Waihun joined Pathe in May 2000 and is responsible for accounts payable across distribution, development and production: ensuring that suppliers are paid on a timely basis. Waihun has also been involved in banking and cash management within the team. In addition, she has also assisted in the running of the office and the IT needs of Pathe. More recently, Waihun has taken on the international finance role, dealing with foreign distributors, royalty statements and accounts receivables.

Whilst studying at the University of Cambridge, Ella’s goal to work in film and TV was catalysed as she interviewed the likes of Emma Freud, Jay Hunt, Sally Woodward-Gentle and Clare Balding. After graduating in 2021, she immediately began to work as VFX Production Assistant on Netflix’s Damsel, rising to the role of VFX Production Coordinator. Having seen this project through pre-production, shoot, and post-production, an interest in development grew, and led her to Pathe’s Office Runner role. Having been the Office Runner at Pathé for 6 months, she moved to become Executive Assistant to the Managing Director & Commercial Director.